Christopher Landon continues to reign as a horror-comedy maestro with his iconic films such as “Happy Death Day” (2017) and “Freaky” (2020). These films have not only entertained audiences but have also firmly established themselves within the modern horror genre. Meanwhile, “Creep” (2015) stands out as a unique horror film that never demanded a sequel, yet left an indelible mark on its viewers.
In 2017, the film “Apostle” captivated audiences with its terrifying setting in rural Ireland, featuring an isolated house and a nearby insane asylum. Its stylistic flair and intensity ensured its place among the best horror films of the year. Similarly, “The Babysitter” (2017) embraced its ’80s slasher homage roots, delivering a nostalgic yet thrilling experience.
“Scary Stories to Tell in the Dark” (2019) sparked diverse reactions from critics and fans. While some praised its stunning visuals and creature designs, others remained divided on its overall impact. On the other hand, “Bone Tomahawk” (2015) emerged as a remarkable horror western that exemplifies the vibrancy of modern indie horror.
“It Follows” (2014) captured a distinct historical essence by choosing 1991 Spain as its backdrop, adding layers of intrigue to its chilling narrative. “The Wailing” (2016), another modern horror gem, unsettled audiences with its disturbing themes and gripping storyline.
“The Autopsy of Jane Doe” (2016) garnered critical acclaim for its chilling plot and engrossing performances. “Trollhunter” (2010), a Norwegian found-footage horror film, also received praise for its innovative approach and thrilling execution. Meanwhile, “Psycho” (1960) remains a timeless classic, revered as a masterpiece in both filmmaking and storytelling.
“I’m Thinking of Ending Things” (2020), though divisive, sparked discussions with its thought-provoking narrative, leaving many viewers pondering its significance shortly after it began.
Featured Image courtesy of 101 Best Horror Movies of All Time
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